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Hypothetical Soundtracks

by Matt Orenstein

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1.
7x4 01:07
2.
3.
4.
5.
6.
Pregame 01:14
7.
8.
9.
Blood & Silk 02:55
10.
Quasar 01:50
11.
12.
13.
Purple Ruin 01:37
14.
Telltale <3 01:33
15.

about

In early 2016, I moved out to LA to write movie scores. When I got here, I didn't know of any movies that needed scoring, or how to go about finding people who needed someone to write scores, but I knew I had to be here to do it. Some composer friends told me about writing music for production libraries: the databases where filmmakers or music supervisors can find stock cues and lay them into the film. I knew Bruce Haack and Delia Derbyshire had done things like this -- and I had heard some pretty cool compilation records of production music -- so I felt like giving it a shot might be a fun experiment. Maybe even a lucrative one.

There's a a tonal and technical language to this kind of work, though, and I wasn't tapped into it. My frame of reference was shaped largely by my time working at Reckless Records in Chicago, where we were steeped in the film music of the past (giallo/horror, blaxploitation, 70s sci fi, old BBC library stuff, all things Tangerine Dream and Vangelis, porn soundtracks), among a world of other things. I've also been recording my own music at home for the past twelve years, so there's a roughness to my music that I had taken pride in that I quickly found out wouldn't fly with the library music folks. Whenever someone was gracious enough to write me a rejection e-mail instead of ignoring me, they urged me to become familiar with what was being made today.

The clips in this collection were my uneducated guesses about what libraries, directors, etc. were actually looking for, as well stabs at cues from films or film tropes that were kicking around in my head. There's no unifying factor among them, except that I thought that they were marketable and was totally off base. And I wrote most of them in a bathrobe.

Most of the songs have descriptions, if you're curious to see what I had in mind when I wrote them.

credits

released June 26, 2018

I made all of these in 2016. C and P Matt Orenstein for Orensongs (ASCAP).

license

all rights reserved

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about

Matt Orenstein Los Angeles, California

Hello, my name is Matt. I live in Los Angeles, and am pretty easy to find.

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